Saturday, 13 January 2018

Kris Fierens / Guy Mees



Guy Mees
Verloren Ruimte
1987
3 different types of blue paper
220 x 50 cm




Kris Fierens (BE)
Untitled
2014
mdf, epoxy, iron, paint
140 x 50 x 60 cm





Saturday, 30 December 2017

Tinka Pittoors / Eva Hesse



Eva Hesse
Seven Poles
1970
resin and fiber-glass, polyethylene, aluminum wire
272 x 240 cm



My first thought for this blog was: Eva Hesse, I have a soft spot for her since long ago. On the Internet I found an image that hit me like a bomb, because I had adored it so much before, and now, after forgetting it for almost 10 years, I rediscovered it, or rather I felt it again. Because it's crazy how such a work has become a piece of your DNA. I had not thought about it for such a long time, but when I saw it now: WOW.
It also reminded me of a recent installation that I made for CCMechelen: Irreligionair ...

Tinka Pittoors, 2017




Tinka Pittoors (BE)
Irreligionair
2017
installation, wood, paint, carpet, epoxy, inox, ink
ca 250 x 200 x 250 cm



Saturday, 16 December 2017

Bas Ketelaars / Caspar David Friedrich



Caspar David Friedrich
Der Mönch am Meer
1808-1810
oil on canvas
110 x 171,5 cm
Alte Nationalgalerie, Berlin




Looking at the paintings of Caspar David Friedrich I see atmosphere and structure. The Monk by the Sea (Der Mönch am Meer 1808-1810) is probably his most radical piece of work. This painting shows an overwhelming emptiness with the weight of the whole cosmos. More than just a landscape it shows nature in its most comprehensive form. Nature and its experience by the lonely figure in the foreground, of whom I can’t really tell whether he’s a part of it or not. 

Although it’s known that Friedrich painted his images rather quick and accurate after looking a long time at the empty canvas, in this picture you can still see the traces of two small fishing boats in the horizon which were eventually painted over. With this correction he brings pure abstraction suddenly very close by.  

For myself the works of Friedrich were one of the reasons to focus on landscape drawings. The one shown here is the first of a series of drawings in large format. In this drawing there’s a lot of trial and error, several systems are visible next to each other. The only part uncorrected is the foreground which is, just like you see often in Friedrich’s paintings, clearly distinct from the background. Yet together they produce the landscape.

Bas Ketelaars, 2017




Bas Ketelaars
Untitled (searching C.D.#1)
2013
graphite on paper
150 x 170 cm
collection AMC